Sunday, February 25, 2007

The End of Irony pt 2

2/27/07: NEW VERSION. I ditched the orange plant. I added part 6, the conclusion, a major tone change, I want to know how it works. I want to know if it is clear that the subject has changed each paragraph, even when the pronoun remains the same. If you have a second, read the first part, too, to get a sense of the overall piece and let me know if you see any cohesion or arc here. I'm really insecure about using this as a conclusion, and I think I might very well change it completely. Also, you are in it, how's that? I know you're busy, though.

[I did a bit more writing on the piece below. I don't care whether you read the previous bit first or not. The last few paragraphs are too disconnected from each other; hopefully more writing will bring them together. I'll update this post with new versions as they are created. I'm in the middle of my process, just when I most crave your thoughts.]

4.

"in their Deserts of moss¹, quiet,
They² prepare precious panels³
Where the city4
Will paint false skies."
--Rimbaud, Une Saison en Enfer

4The becoming collective that I must do: the becoming one that we must do, the becoming god that our holy writs prevent, the becoming citizen that allows us to live outside a prison, the process makes us lust after pixels, this is why we bare our souls and breasts to hyperspace; in the end, if we cannot be human inside our skin, then we will be outside, in the empty data points flung into rivers of light, the internet, into which I spill'd my seed once and again, so that I may become you, all of you. Will this collective always remain the elite, always dreaming delusions of universality? Our greedy fingers have reached past the mirror, seeking flesh to caress or contests to win, and my hand is stuck, behind the mirror.

² “They” were the carpenters, the cablerunners, streetpavers, I.T. nerds. The age of the union has given way to the collective dream, the great promise of syndicalism behind us. When all pleasure lies at the end of my fingertips, why do I still need to eat? ³Raw information needs a material to be projected upon, that material is still manufactured, somewhere. Taiwan, I presume.

¹It is a desert, the real, inhabited by screens, where each stares across their own projected world, thinking only of the self. Networks formed at a glance, friendships declared so loosely, and flesh will never be violated. No blood; semen the only liquid spilled to stain this earthly portal, and the screen wipes itself with the delete key.

5.
The dark glance of paranoia has fallen across my computer screen. I have always used my real name on the internet, because I like my name. But can we show our name to the demons of society, in an age when the most vulnerable asset is your identity? The only answer to this, is do not try to stem the tide of idenitity theft (no computercriminal is going to enjoy prison), but rather to renounce our identities. At first, an easy step, a username change. Soon, we will have no choice, because our names have melded with eachother in hyperspace; soon, we will each assume many virtual names; any may usurp the original. The death of the subject is upon us! Break the mirrors that formed us! Perhaps it will be a painful step for the mallgoers to feel the death of their ego, and prophets and profits will be made in the process. Or perhaps it will be easy. I was always partial to revolution, so I imagine it.

Of all that I have held in my palms, lithe humanity is the most fleeting. Or, at least, so it ought to be. Skin unknown to foreign touch, colonized instantly, brought into unceasing labor for a glance off dark flesh. At once, my skin knows its duty, and its allegiance lies not with me; I, who gave it life, nurtured it through its sensitive years with hot water and dermatological punishment, its duty lies not with me. It was not made for itself, it was made to plug itself into a vast network of flesh, for reasons far beyond simple reproduction.

It is only an envelope to contain a reservoir of fluid, entrails. Which at the slightest puncture will reveal itself, all over the floor. Which at the slightest pleasure, will manufacture itself all over the sheets. I am wet, soaked through and inbetween. But electrons must stay dry to remain in my control; lightning must be dried to be used.

6.
The first email he had ever sent, he sent to me, to ask for a friend on the outside. Just someone to have a beer with. He left prison after thirty years, stuck in Pink Floyd days. He left prison with a manuscript; five hundred pages, completely unpublishable-I never had the heart to tell him that. The vastness must have swallowed him; I’ve heard nothing.

Bengal’s state government is selling peasant land to multinational corporations, under the guise of a “special economic zone.” They are one of the last governments to do so; they have been communist for thirty years, and have valued peasant rights above all else. The peasants have no choice but to reassert themselves, this time as guerrillas.

She still hallucinates every day, despicably. They are not of her. But the medication helps her not care. She will continue to create.

I cannot suppress my rage against myself. I cannot fill my void. I spend hours looking online for the direction, which fuels only my paranoia. I long for my feet underneath my body, carrying me on.

While we wage a global war against opiates, burning entire crops, hospitals are running out of morphine.

She spends every minute trying to integrate herself into an economy that can never understand her. She leaves a void in my bed, she slowly fades into abstraction.

We must give aid to Ethiopia; Africa’s second most populous and poor country cannot feed itself. But the government routinely imprisons and tortures dissenters, mostly teachers. How can we support this, with our dollars? But when Islamists in Somolia threaten the entire continent with the very extremism our America is pitted against, who else can we rely on to suppress them?

He used to be a painter, but rehab cured him of that. Colorful messes that covered the earth. Now he is back to survival, because life is too long to be lived in simple moments of ecstasy punctuated with self-loathing. His absence is still palpable, two years later.

9 Comments:

Blogger Sturgeon General said...

passing comments:
jed, i love it when you write about digitalia. it makes my skin prickle in ways so good theyre bad and so bad theyre good. also, i love the last few paragraphs, i like the muted, relaxed tone, yet which still echoes the old polemicism. i still owe you a comment on the other post, but i just wanted to say this stuff here is really wonderful.

6:53 PM  
Blogger Inga said...

i like what's here so far, and i agree with your comments about the last few paragraphs. i'll put together some [hopefully] constructive comments soon, but for now I'll say, keep writing. you're getting somewhere exciting.

one thing that bothered me, on the first read, is how gendered this piece [and your voice] is. I say that, not from any bias against a distinctly male perspective, but because I wonder if the maleness of it furthers your message in any way, and I'm finding it distracting. I don't want you to change the maleness of your voice, but I want to hear your male voice consider a reality outside of itself. i want to hear your awareness, when you say "we bare our souls and cocks to hyperspace," that I, your reader, [might] bear no cock (nor do I bare one). when you discuss semen and the computer screen, I'm wondering how women come into play here, and, more importantly, I'm wondering why you choose not to address women here. I, your reader, spent a lovely hour today getting off on internet porn, with no cock or semen to speak of, and I want to know how you factor that/me into the discourse. i think that what you're saying wants to be universal, but it's not there yet...

also, the last paragraph, I can't get past. she, she, she. she will grow, she will never, she would begin to die... I guess it's convention to make flora feminine, or perhaps that choice has to do with your personal relationship to the plant, but I think it says a lot about gender that I'm not convinced you want to be saying. I say, if you're going to talk about gender here, do... and if you're not, maybe consider these details a bit more, make your language choices a bit more purposeful. maybe you'll end up using the same pronouns in the end, but I think it's always good to reconsider your reasons for using them, anyway.

more later,
love,
inga

12:30 AM  
Blogger Jed said...

it's true, this peice is intensely gendered, and I can see why that stuck out for you so much. Some of it was intentional, some of it I should reevaluate. I don't think it would be a problem at all if I didn't make some of the stuff in the collective 'we' voice. Origionally, it was 'souls and breasts' but I changed it to be more inflamatory. Indeed, I feel that if you did a statistical analysis, more breasts are bared on the internet than cocks. so maybe I should change it back. Also, origionally I wrote the plant section using that feminine, then I changed it to "it," but then I looked on the internet, and orange trees that bare fruit are actually the female species, so I changed it back. I also think it could be seen as a useful commontary on the traditional place of women in a relaitonship: a question for you, could you concievably read it as it is as a critique (even a critique of the speaker himself (which is different than the author)) rather than however you're reading it now?

I don't quite fully understand why it bothers you that the piece is so gendered; after Alex's comment on the first part, I wanted to have it constantly centered around desire, and so sex and gender play seem to be relevant.

You raise an interesting question when you say "I think you want your piece to be universal." I guess you assumed that because of the use of the collective voice, and that's a reasonable assumption and one that I should address, and not quite my intention. It just didn't make sense to me to talk in the singlular when I was addressing a whole network or collectivity of people. How to make the differentiation between a collectivity and a universality?

12:46 PM  
Blogger Inga said...

you know, I think my problem with it really comes down to the fact that, for whatever reason, I was reading this with the assumption that you wanted it to be universal. I'm not entirely sure why I made that assumption, though the collective voice does have something to do with it. knowing now that you had a different intention, it doesn't really bother me anymore, except for the part about the orange plant. and I think that part can function as a commentary on gender, but perhaps what's missing in it, for me, is the connection between this part and the rest of the piece, which you've already said you were going to work on more. so i'll be excited to see how this progresses. I like reading it as a critique of the author, as you suggest. also, i happened to be in a very gender-[and sex-]conscious state of mind when I first read this, and thus my admitted bias. to be honest, reading the line, "it was made to plug itself into a vast network of flesh," made my skin crawl. violently. in a way that even the most violent internet porn never has. and I can't even tell you why, at the moment, but i'm pretty sure it has nothing to do with your writing, it's just me. *as a sidenote, i'm just sitting down to read an article called "Rape in Cyberspace," about how the idea of violation changes in the context of virtual or otherwise imagined communities. if anyone's interested, i'll send it on. and i still promise more comments, on what you've actually written, to come later.

3:05 PM  
Blogger Sturgeon General said...

something Jed wrote in my notebook almost a few years (!) ago, which I just found now (sorry Jed - but remember when you wrote this? I do.):

Rockpond plunk
Dragonflying surface
Red, Red Bathwater pond
holy worshipped By
too many Rued campers
Rhode Island exists
highly civilized inhabited tamed
still silent sunny pondrock
caressed with dragonfly wings
veiny transparent
attached to Pliesta(?) scene
miniature flying dinosaurs
compartmentalized head
eyes lyeing about reality
just enough to Stay Sane,
little white Dotted corneas
see camera lens & don't mind
And sunbleached teenage Bodies
on pondrocks slowly
turning into dragonflies
this is what is wrong
Men in prison can't Be in
this or any other real Place

my Rock is birthed in tea water
carpeted with Sunbathing lichen
peopled with Pure Blue dragonfly Kings

(ps. do you guys have to sign in now with your gmail accounts? i do, and i dont like the consolidation of my digidentities before the extension of the all-seeing googly eyes)

4:31 PM  
Blogger Jed said...

yeah, in fact, it was that very fact that I have to sign into blogger with my gmail account that got me in trouble with goodbooks.com; i figured everything was going over to google.

thanks for typing in that poem. I remeber the day vividly, but the writing of the poem not at all. Not very good, is it?

I've not made another version of the piece yet. I ought to. Maybe tomorrow. Thanks for your comments and support. this blog makes the entire internet worthwhile.

9:25 PM  
Blogger Inga said...

it's kind of a fun poem, actually. has a nice sound. where were you writing it, bonnaroo? (the google thing really creeps me out. it always occurs to me, when i sign in for my gmail, that there must be a record somewhere of every search i've ever done and every page i've ever looked at. not to mention everything i've written in my mail account. when i'm really feeling paranoid, i wonder if my brother (who works at google) can see what searches i've done... although i think this is unlikely, it's certainly possible. and creepy.)

10:35 AM  
Blogger Jed said...

I'm glad I'm not the only one with these intense feelings of digital paranoia. Sometimes when I'm stoned, the computer emits these terrible vibrations of being watched by the Overlords and I can't even go into my room. I wonder if I've ever done anything illegal online? But I'm more scared of identity theft. The idea creeps me out.

that poem was written on a beautiful summer day, when our summertime family at 248 piled in Kai's car and went to this swimming hole in northern rhode island.

12:55 PM  
Blogger Inga said...

it's fun to be in it, though luckily what you wrote is a lie -- not everyday anymore. yes, it's clear that the subject changes with each new paragraph in part 6, and i'm glad you ditched the orange plant. the whole piece is so disjointed here... can you email the full word document?

7:19 PM  

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