Wednesday, November 29, 2006
Friday, November 24, 2006
The Art of Sticks
Here's a link to a video I partially shot recently about the guy who constructed the tree sculpture on the Quiet Green.
The video has been voted to go on satellite tv soon - it's a station owned by Al Gore called Current TV. People can upload videos to this website (www.current.tv) and then they are voted on "yay" or "nay", and the top ones get aired. Sposed to be democratic er some shite. (We all know how well "democracy" works...)
http://www.current.tv/watch/16619020
So I shot the footage of Patrick and his crew working on the scaffolding (i.e. not the interview stuff). The video was produced by some kids at Cornell.
... and don't worry, they're going to credit me when its re-edited for tv (he "spaced" on the original version)... Let's just say I was a little pissed when I saw the video end without my name mentioned, and I heartily voiced my opinion.
The video has been voted to go on satellite tv soon - it's a station owned by Al Gore called Current TV. People can upload videos to this website (www.current.tv) and then they are voted on "yay" or "nay", and the top ones get aired. Sposed to be democratic er some shite. (We all know how well "democracy" works...)
http://www.current.tv/watch/16619020
So I shot the footage of Patrick and his crew working on the scaffolding (i.e. not the interview stuff). The video was produced by some kids at Cornell.
... and don't worry, they're going to credit me when its re-edited for tv (he "spaced" on the original version)... Let's just say I was a little pissed when I saw the video end without my name mentioned, and I heartily voiced my opinion.
Sunday, November 19, 2006
A Dream I Had Yesterday While Taking a Nap
This is what I wrote down when I woke up:
The Dead Fish Diner.
Suffocating chickens in olive oil before cooking them. Listening to them scream.
The Ugly Potato (Restaurant)
need to draw the designs of the outsides, a big dead fish and a big ugly potato
I'm going to write everything that happens down. (Like a remote recording session.) Then we will have no secrets, because everything will be secrets.
I began to cry, almost, a tragic human love, no, please don't write everything down. We don't need secrets
no, I won't write it all down. Don't worry
I think McNashers is the word of the day
they told me to vote red. But not anymore....
a house with cool light, just daylight coming in through the windows. cool blue light, the kind that isn't light at all, but life itself effusory, not attacking but allowing as if there were no other option. as if there were no darkness. as if that light was darkness, and light itself was blinding, painful.
sitting with my mom, with three dogs, big, medium sized golden and brown dogs, lying, sleeping, waking, noticing, watching. the door. opens, girl comes in, crazy hair, ranting.
who the hell are you? oh its someone i know, its my sister? at least someone who lives in the house (having a sister). speaking gibberish, leaning on a lamp, at least grabbing it and holding on to it. recognize, stand, hold.
The Dead Fish Diner.
Suffocating chickens in olive oil before cooking them. Listening to them scream.
The Ugly Potato (Restaurant)
need to draw the designs of the outsides, a big dead fish and a big ugly potato
I'm going to write everything that happens down. (Like a remote recording session.) Then we will have no secrets, because everything will be secrets.
I began to cry, almost, a tragic human love, no, please don't write everything down. We don't need secrets
no, I won't write it all down. Don't worry
I think McNashers is the word of the day
they told me to vote red. But not anymore....
a house with cool light, just daylight coming in through the windows. cool blue light, the kind that isn't light at all, but life itself effusory, not attacking but allowing as if there were no other option. as if there were no darkness. as if that light was darkness, and light itself was blinding, painful.
sitting with my mom, with three dogs, big, medium sized golden and brown dogs, lying, sleeping, waking, noticing, watching. the door. opens, girl comes in, crazy hair, ranting.
who the hell are you? oh its someone i know, its my sister? at least someone who lives in the house (having a sister). speaking gibberish, leaning on a lamp, at least grabbing it and holding on to it. recognize, stand, hold.
Thursday, November 16, 2006
(commenting is indeed not working, so to respond to Jed, which everyone ought to read below)
Man, the first thing that must be said is 'Fantastic.' Thanks for being such a good writer and one so fun to read.
Beyond that, I don't know, I don't think I could come to terms with seeing in pixels or with having better music coming from computers. I myself believe in people who play guitar, and while I have fun watching people move dials up and down on some incognizable black box on stage, I would respect them more if they were playing a traditional instrument. I don't like what's happening to the human landscape, and I don't want to walk on Cheeto dust-lined asphalt. (Do you ever notice how little bare earth there is in NYC? Fucking scary. I wonder what that peninsula looked like 300 years ago.) My reaction is to walk away from what you describe, never embrace it, and hopefully, to have enough compassion to understand people who do embrace it.
But I'll stop there. This post is yours, it's fantastic, and I don't want to clutter it with overlong comments.
Man, the first thing that must be said is 'Fantastic.' Thanks for being such a good writer and one so fun to read.
Beyond that, I don't know, I don't think I could come to terms with seeing in pixels or with having better music coming from computers. I myself believe in people who play guitar, and while I have fun watching people move dials up and down on some incognizable black box on stage, I would respect them more if they were playing a traditional instrument. I don't like what's happening to the human landscape, and I don't want to walk on Cheeto dust-lined asphalt. (Do you ever notice how little bare earth there is in NYC? Fucking scary. I wonder what that peninsula looked like 300 years ago.) My reaction is to walk away from what you describe, never embrace it, and hopefully, to have enough compassion to understand people who do embrace it.
But I'll stop there. This post is yours, it's fantastic, and I don't want to clutter it with overlong comments.
Monday, November 13, 2006
I & I
Is it possible the comments function on blogger is broken? because it is. My comment on the last post was: the poem could just as easily be written about the reproduction and proliferation of ink and paint.
Here's my post:
I, a being born in a place, my parents lead lives before I did, and decided when to create. Create a skin of a certain color. Hair with a certain texture. They bore me into a religion, which they thankfully would deny, leaving me free to invent one. But they still cut my foreskin without asking me whether I wanted it or not. I didn’t. Throw it away.
I, a being first stared into Lacan’s mirror, I remember the event. I breathed the glass. I needed the mirror not to see my whole self, but only to wiggle my fingers, the feel of an electronic impulse coursing down my spine, down my arm, my fist clenching. I did not yet know that I would not be a revolutionary. So I ate the mirror, became it. As I grew older, it became a camera in my belly. Then a camcorder. Then a projector. Now I consume movies, and project them inward.
I grew between my legs, becoming too heavy to carry through the everyday swirl of humanity on the sidewalks. Only fully encapsulated vehicles can kill me if I step into the street not looking, mere men cannot. So I cling to the sidewalk, only occasionally wandering into the black expanse of asphalt, for the thrill of defying the law most immediately at hand. Sometimes civil disobedience doesn’t need a cause.
I grew in the tightly choreographed American Tango. I believe in natural Cheetos. Because they exist. They lack the curve and neon color of original Cheetos, but they preserve the Dangerous Cheese. I believe in movies with names like “Let’s go to Prison” (coming November 17th) and “Snakes on a MuthaFuckin’ Plane” (sadly behind us now). I believe that computers can make better music than fingers, if the right buttons are pressed.
I, a burning man on the edge of time. A rotation of existence, casting myself over the brink of a flat earth, prepared to merge with the blackness. My empty intestines churn with starfire. I am the single stem cell of the world. My green grass settles over the pregnant earth, stirring itself into trees and undergrowth. I settle over America and grow into Cheetos naturally, settle flatly onto streets and become clean black asphalt.
My head rests on a cloud which rests on my neck. I am ankle deep in soil, and I feel my toes questing downward for nutrients. My mouth thirsts for alchohol, my tongue thirsts for loud ink. My eyes see in pixels.
Here's my post:
I, a being born in a place, my parents lead lives before I did, and decided when to create. Create a skin of a certain color. Hair with a certain texture. They bore me into a religion, which they thankfully would deny, leaving me free to invent one. But they still cut my foreskin without asking me whether I wanted it or not. I didn’t. Throw it away.
I, a being first stared into Lacan’s mirror, I remember the event. I breathed the glass. I needed the mirror not to see my whole self, but only to wiggle my fingers, the feel of an electronic impulse coursing down my spine, down my arm, my fist clenching. I did not yet know that I would not be a revolutionary. So I ate the mirror, became it. As I grew older, it became a camera in my belly. Then a camcorder. Then a projector. Now I consume movies, and project them inward.
I grew between my legs, becoming too heavy to carry through the everyday swirl of humanity on the sidewalks. Only fully encapsulated vehicles can kill me if I step into the street not looking, mere men cannot. So I cling to the sidewalk, only occasionally wandering into the black expanse of asphalt, for the thrill of defying the law most immediately at hand. Sometimes civil disobedience doesn’t need a cause.
I grew in the tightly choreographed American Tango. I believe in natural Cheetos. Because they exist. They lack the curve and neon color of original Cheetos, but they preserve the Dangerous Cheese. I believe in movies with names like “Let’s go to Prison” (coming November 17th) and “Snakes on a MuthaFuckin’ Plane” (sadly behind us now). I believe that computers can make better music than fingers, if the right buttons are pressed.
I, a burning man on the edge of time. A rotation of existence, casting myself over the brink of a flat earth, prepared to merge with the blackness. My empty intestines churn with starfire. I am the single stem cell of the world. My green grass settles over the pregnant earth, stirring itself into trees and undergrowth. I settle over America and grow into Cheetos naturally, settle flatly onto streets and become clean black asphalt.
My head rests on a cloud which rests on my neck. I am ankle deep in soil, and I feel my toes questing downward for nutrients. My mouth thirsts for alchohol, my tongue thirsts for loud ink. My eyes see in pixels.
Wednesday, November 08, 2006
Cool shit
Here's a good procrastination link. I especially wanted Tyler to see it. Go to
www.tower8.net
and click on the "video" and watch it. Done by a guy from Brown with a grant from MTV.
It reminded me of "gravity's rainbow," and if pressed, i could say why
www.tower8.net
and click on the "video" and watch it. Done by a guy from Brown with a grant from MTV.
It reminded me of "gravity's rainbow," and if pressed, i could say why
Sunday, November 05, 2006
Seeing red (black and green)
You are the ghetto because you need the ghetto in order to be somewhere else, to be secure in your suburban community. You are ghetto because you have supported the prohibition of drugs, creating a black market. You are the ghetto because you pulled your kid out of public schools to send him to a nice, private school with good lawns. You are the ghetto because you can’t understand the lyrics in Hip Hop music. You live in the ghetto because there is a gate at the drive into your community. You live in the ghetto because you live in a nice clean house that looks exactly like all the other houses in your sub-development. You are the ghetto because you voted for a politician because he is tough on crime. You told your child to “just say no” so that he’d know how to resist his own culture. You are the ghetto because you Support our Troops. And Freedom Isn’t Free. And so those goddamn gangbangers slingin’ crack in the ghetto, they violated their freedom, betrayed our trust, so they Isn’t Free. They isn’t free, they in the ghetto, they in prison, they in a cage. is you free?